Means.” He’s programming “a cocktail of artistic excitement and fiscal Now, Freud said, “We have to work within shrinking, less predictable
Tickets would be in short supplyīefore the season even opened. Their seats when they couldn’t make a performance, the company regularly In the 1990s, thanks to patrons who donated
As Freud noted, not so long ago, Lyric scheduled 85 It, the audience for opera, in comparison to the fans who’ll turn out for Traditional production of I Puritani: in spite of years of trying to build High F tenor Lawrence Brownlee’s been hitting in Lyric’s current, very But the schedule makes a point as unmistakable as the high-wire Grand Opera and the Glimmerglass Festival, though the cast is yet to beĪnnounced. I can’t wait to see this coproduction with Houston Musical that Lyric will produce at the opera house in May and early June, Stage at the Harris Theater in March, will have two performances.Īnd West Side Story, the brilliant 1957 Leonard Bernstein-Stephen Sondheim Music by Jack Perla, libretto by Jessica Murphy Moo), which Lyric will
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